{"id":2101,"date":"2020-06-04T17:52:34","date_gmt":"2020-06-04T17:52:34","guid":{"rendered":"https:\/\/www.bugsilver.com\/fmpilote\/?p=2101"},"modified":"2020-06-04T17:52:34","modified_gmt":"2020-06-04T17:52:34","slug":"50","status":"publish","type":"post","link":"https:\/\/www.bugsilver.com\/fmpilote\/?p=2101","title":{"rendered":"50%"},"content":{"rendered":"\n

Un si\u00e8ge sur deux, ce sera la r\u00e8gle pour le taux maximum d’occupation des salles de cin\u00e9ma \u00e0 partir du 22 juin. Le d\u00e9tail des mesures sur 23 pages ici<\/a>.<\/p>\n\n\n

\n\"0001b\"<\/a>\n<\/div><\/figure>\n\n\n

Hier a \u00e9t\u00e9 annonc\u00e9 les films qui, a d\u00e9faut d’avoir pu aller au Festival de Cannes, re\u00e7oivent le \u00ab\u00a0Label Cannes\u00a0\u00bb pour cette ann\u00e9e 2020 :<\/p>\n\n\n

———————————–<\/p>\n\n\n

LES\nFID\u00c8LES<\/strong><\/strong><\/p>\n\n\n

(ou d\u00e9j\u00e0 venus au\nmoins une fois en S\u00e9lection officielle)<\/p>\n\n\n

THE FRENCH DISPATCH <\/em>de Wes Anderson (USA) – 1h43<\/p>\n\n\n

\u00c9T\u00c9 85<\/em> de Fran\u00e7ois Ozon (France) – 1h40<\/p>\n\n\n

ASA GA KURU (True Mothers)<\/em> de Naomi Kawase (Japon) – 2h20<\/p>\n\n\n

LOVERS ROCK<\/em> de Steve McQueen (Angleterre) –\n1h08<\/p>\n\n\n

MANGROVE<\/em> de Steve McQueen (Angleterre) – 2h04<\/p>\n\n\n

DRUK (Another Round) <\/em>de Thomas\nVinterberg (Danemark) – 1h55<\/p>\n\n\n

ADN (DNA)<\/em> de Ma\u00efwenn (Alg\u00e9rie \/ France) – 1h30 <\/p>\n\n\n

LAST WORDS<\/em> de Jonathan\nNossiter (USA) – 2h06<\/p>\n\n\n

HEAVEN: TO THE LAND OF HAPPINESS<\/em> de IM Sang-Soo (Cor\u00e9e) – 1h40<\/p>\n\n\n

EL OLVIDO QUE SEREMOS (Forgotten we’ll be)<\/em> de Fernando\nTrueba (Espagne) – 2h16<\/p>\n\n\n

PENINSULA <\/em>de YEON Sang-Ho (Cor\u00e9e) – 1h54<\/p>\n\n\n

IN THE DUSK (Au cr\u00e9puscule)<\/em> de Sharunas\nBARTAS (Lituanie) – 2h06<\/p>\n\n\n

DES HOMMES (Home Front)<\/em> de Lucas BELVAUX (Belgique) –\n1h40<\/p>\n\n\n

THE REAL THING <\/em>de K\u00f4ji Fukada (Japon) – 3h48<\/p>\n\n\n

<\/p>\n\n\n

LES\nNOUVEAUX VENUS<\/strong><\/strong><\/p>\n\n\n

PASSION SIMPLE<\/em> de Danielle\nArbid – (Liban) – 1h36 <\/p>\n\n\n

A GOOD MAN <\/em>de Marie Castille\nMention-Schaar (France) – 1h47<\/p>\n\n\n

LES CHOSES QU\u2019ON DIT, LES CHOSES QU\u2019ON\nFAIT<\/em> de\nEmmanuel Mouret (France) – 2h<\/p>\n\n\n

SOUAD<\/em> de Ayten Amin (\u00c9gypte) 1h30<\/p>\n\n\n

LIMBO<\/em> de Ben Sharrock (Angleterre) – 1h53<\/p>\n\n\n

ROUGE (Red Soil)<\/em> de Farid\nBentoumi (France) – 1h26<\/p>\n\n\n

SWEAT<\/em> de Magnus Von Horn (Su\u00e8de) – 1h40<\/p>\n\n\n

TEDDY <\/em>de Ludovic et Zoran\nBoukherma (France) – 1h28<\/p>\n\n\n

FEBRUARY (F\u00e9vrier)<\/em> de Kamen Kalev (Bulgarie) –\n2h05<\/p>\n\n\n

AMMONITE<\/em> de Francis Lee (Angleterre) –\n2h <\/p>\n\n\n

UN M\u00c9DECIN DE NUIT <\/em>de Elie Wajeman (France) – 1h40 <\/p>\n\n\n

ENFANT TERRIBLE <\/em>de Oskar Roehler (Allemagne) –\n2h14 <\/p>\n\n\n

NADIA, BUTTERFLY<\/em> de Pascal Plante (Canada) –\n1h46 <\/p>\n\n\n

HERE WE ARE<\/em> de Nir Bergman (Isra\u00ebl) – 1h34<\/p>\n\n\n

<\/p>\n\n\n

UN\nFILM \u00c0 SKETCHES<\/strong><\/strong><\/p>\n\n\n

SEPTET: THE STORY OF HONG KONG<\/em> de Ann Hui, Johnnie TO, Tsui Hark, Sammo Hung, Yuen Woo-Ping et Patrick Tam (Hong Kong) – 1h53<\/p>\n\n\n

<\/p>\n\n\n

LES PREMIERS\nFILMS<\/strong><\/strong><\/p>\n\n\n

FALLING<\/em> de Viggo Mortensen (USA) – 1h52<\/p>\n\n\n

PLEASURE<\/em> de Ninja Thyberg (Su\u00e8de) – 1h45<\/p>\n\n\n

SLALOM<\/em> de Charl\u00e8ne Favier (France) – 1h32<\/p>\n\n\n

CASA DE ANTIGUIDADES (Memory House)<\/em> de Joao Paulo\nMiranda Maria (Br\u00e9sil) – 1h27<\/p>\n\n\n

BROKEN KEYS (Fausse note)<\/em> de Jimmy Keyrouz (Liban) – 1h30<\/p>\n\n\n

IBRAHIM <\/em>de Samir Guesmi (France) – 1h20<\/p>\n\n\n

BEGINNING (Au commencement)<\/em> de D\u00e9a\nKulumbegashvili (G\u00e9orgie) – 2h10<\/p>\n\n\n

GAGARINE<\/em> de Fanny Liatard et J\u00e9r\u00e9my Trouilh (France) – 1h35<\/p>\n\n\n

16 PRINTEMPS<\/em> de Suzanne\nLindon (France) – 1h13<\/p>\n\n\n

VAURIEN<\/em> de Peter Dourountzis (France) – 1h35<\/p>\n\n\n

GAR\u00c7ON CHIFFON<\/em> de Nicolas Maury (France) –\n1h48 <\/p>\n\n\n

SI LE VENT TOMBE <\/em>(Should the Wind\nFall<\/em>) de Nora Martirosyan (Arm\u00e9nie) – 1h40<\/p>\n\n\n

JOHN AND THE HOLE <\/em>de Pascual Sisto (USA) –\n1h38 <\/p>\n\n\n

STRIDING INTO THE WIND<\/em> (Courir au\ngr\u00e9 du vent<\/em>) de WEI Shujun (Chine) – 2h36<\/p>\n\n\n

THE DEATH OF CINEMA AND MY FATHER TOO<\/em> (La Mort du cin\u00e9ma et de mon p\u00e8re aussi<\/em>) de Dani Rosenberg (Isra\u00ebl) – 1h40<\/p>\n\n\n

<\/p>\n\n\n

3\nDOCUMENTAIRES<\/strong><\/strong><\/p>\n\n\n

EN ROUTE POUR LE MILLIARD<\/em> (The Billion\nRoad<\/em>) de Dieudo Hamadi (R\u00e9p. D\u00e9mocratique du Congo) – 1h30<\/p>\n\n\n

THE TRUFFLE HUNTERS <\/em>de Michael Dweck et\nGregory Kershaw (USA) – 1h24<\/p>\n\n\n

9 JOURS \u00c0 RAQQA\u00a0<\/em>de Xavier de Lauzanne\u00a0(France) – 1h30<\/p>\n\n\n

<\/p>\n\n\n

5\nCOM\u00c9DIES<\/strong><\/strong><\/p>\n\n\n

ANTOINETTE DANS LES C\u00c9V\u00c8NNES <\/em>de Caroline\nVignal (France) – 1h35<\/p>\n\n\n

LES DEUX ALFRED <\/em>de Bruno\nPodalyd\u00e8s (France) – 1h30<\/p>\n\n\n

UN TRIOMPHE <\/em>(The big hit<\/em>)\nde Emmanuel Courcol (France) – 1h40<\/p>\n\n\n

L\u2019ORIGINE DU MONDE<\/em> de Laurent\nLafitte (France) – 1er\nfilm<\/em><\/p>\n\n\n

LE DISCOURS<\/em> de Laurent Tirard (France) – 1h27  <\/p>\n\n\n

<\/p>\n\n\n

4 FILMS\nD\u2019ANIMATION<\/strong><\/strong><\/p>\n\n\n

AYA TO MAJO (Earwig and the Witch)<\/em> de Gor\u00f4\nMiyazaki (Japon) – 1h22<\/p>\n\n\n

FLEE <\/em>de Jonas Poher\nRasmussen (Danemark) – 1h30<\/p>\n\n\n

JOSEP<\/em> de Aurel (France) – 1h20\n– 1er\nfilm<\/em><\/p>\n\n\n

SOUL<\/em> de Pete Docter (USA) – 1h30<\/p>\n","protected":false},"excerpt":{"rendered":"

Un si\u00e8ge sur deux, ce sera la r\u00e8gle pour le taux maximum d’occupation des salles de cin\u00e9ma \u00e0 partir du 22 juin. Le d\u00e9tail des mesures sur 23 pages ici. Hier a \u00e9t\u00e9 annonc\u00e9 les films qui, a d\u00e9faut d’avoir pu aller au Festival de Cannes, re\u00e7oivent le \u00ab\u00a0Label Cannes\u00a0\u00bb pour cette ann\u00e9e 2020 :… Poursuivre la lecture 50%<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2101","post","type-post","status-publish","format-standard","hentry","category-uncategorized","entry"],"_links":{"self":[{"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=\/wp\/v2\/posts\/2101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2101"}],"version-history":[{"count":0,"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=\/wp\/v2\/posts\/2101\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bugsilver.com\/fmpilote\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}